Radio Free Kirkopolis

There are some musicians in Rock and Roll who have played somewhat small, yet vitally important rolls in its history.
Billy Preston was one such man.
I have this DVD of “A Concert For George” in which a whole bunch of great people play tribute to (my favorite Beatle) George Harrison. Along with Paul, Ringo, Eric Clapton and Tom Petty, Billy was there- and his set was breathtaking. Incidentally if you dig The Beatles you should really invest in this DVD. Along with the music, the sound quality is superb.
I really liked Billy Preston and am quite saddened to hear of his passing. Instead of running the risk of writing something that can’t even begin to do him justice, I’ll leave his story to Rolling Stone. Do yourself a favor and read the whole thing, you’ll be glad that you did. He’s one of those people we all should know more about, and become better people when we do.

Billy Preston, the gifted keyboardist who recorded with both the Beatles and the Rolling Stones and scored two of his own Number One hits, died of kidney failure in Scottsdale, Arizona, Tuesday at fifty-nine.
Preston, sometimes referred to as "the fifth Beatle," was the only performer to receive a recording credit with the group, when the single "Get Back" was attributed to the Beatles with Billy Preston. He scored his own chart-toppers with "Will It Go Round in Circles" (1973) and "Nothing From Nothing" (1974), and he was co-wrote "You Are So Beautiful," which became a Top Five hit for Joe Cocker in 1975. By then, Preston's reputation was strong enough to earn him the distinction of becoming the first-ever musical guest on Saturday Night Live. He also played the role of Sgt. Pepper in the 1978 film version of the Beatles' seminal concept album Sgt. Pepper's Lonely Hearts Club Band, and his career included sessions with such greats as Little Richard, Ray Charles, Bob Dylan, Sly and the Family Stone, and the Red Hot Chili Peppers.
Born in Houston on September 9th, 1946, Preston moved with his family to Los Angeles early on. A child prodigy, he played with Mahalia Jackson by age ten and appeared as the young W.C. Handy in the 1958 film St. Louis Blues. Touring Europe with Little Richard's band in 1962, he first met the Beatles. After signing with Sam Cooke's SAR label, he moved onto Vee-Jay, where he released two well-received instrumental gospel albums, The Most Exciting Organ Ever and The Wildest Organ in Town!.
Working in the studio band on the ABC TV series Shindig, Preston was recruited by Ray Charles. George Harrison spotted him performing with Charles on a BBC special and invited him to record with the Beatles. In addition to "Get Back," the keyboardist took part in the sessions that would become the Let It Be album. Harrison encouraged the signing of Preston to the Beatles' Apple label, where he released two albums, That's the Way God Planned It and Encouraging Words. He also appeared on Harrison's first solo album, All Things Must Pass, and on the historic recording of the Concert for Bangladesh. Preston's connection to the Beatles would continue for years; he worked on John Lennon's Plastic Ono Band album and, in 1989, joined Ringo Starr's first All Starr Band tour.
Preston was a collaborator in demand beyond the Fab Four. He appeared on a string of Rolling Stones albums -- including Sticky Fingers, Exile on Main Street and Black and Blue -- touring for a time as the band's featured guest.
In his own solo career he enjoyed several years of remarkable success in the mid-1970s, beginning with the Grammy-winning hit "Outa-Space" in 1972 and ending in 1980 with "With You I'm Born Again," a Top Five duet with Syreeta Wright, one-time wife of Stevie Wonder. In later years, Preston made studio appearances with singers including Luther Vandross, Elton John, Gladys Knight and Enrique Iglesias.
The 1990s were difficult times, as the singer, who admitted a decades-long dependency on drugs and alcohol, was in recurring trouble with the law over charges including an insurance fraud scam that involved a fire at his house. Though he spent much of the decade in prison or on probation, he continued to perform whenever possible. Just before his death, he appeared on albums by Neil Diamond (12 Songs) and the Red Hot Chili Peppers (Stadium Arcadium). A virtuoso, Preston was also extremely versatile, spanning gospel, funk, classic rock and many other styles. Prefiguring a 1973 album that he called Everybody Likes Some Kind of Music, he described his ideal audience in a 1971 Rolling Stone interview: "Young whites, young blacks, old people, jazz people -- I want 'em all."
JAMES SULLIVAN